Thursday 29 August 2013

it ain't nothing without you...

'Art isn't what you make, but what you make happen'
- Jeremy Deller

When working on participatory projects, the challenge always is to know how much information to impart to the participants. Saying too much can result in diminished creative input from the group. So how do you get the most from the participants? How do you best capitalise on their creative ambitions while also managing artistic control over the piece? How do you make on the spot decisions when exploring new creative ideas? These are some of the questions I asked myself during the Delve Deeper Intensive with Helen Carnac and Laïla Diallo last month at Siobhan Davies.

Choreographers by nature of their work are likely to be more familiar with this than other artists. I was most impressed with Laïla’s delivery of various tasks she set to the group: economical, measured, open ended.  It prevented us from ‘end-gaming’ what the outcome would be and helped us embrace the unexpected while also valuing the minutiae of whatever we were doing.



A large part of my installation in the Make Believe exhibition at Nottingham Castle, separate from the weaving between trees (see previous post), involved using fencing pins in the lawn, as you would pins in a lace pillow, to produce ‘lace’ around the grounds of the castle.



To prepare for this I practiced various stitches in the studio on an actual lace pillow and drew up a pattern to follow when making the work on site.  However as soon as we started, the pattern had to be scrapped. The action of working the sisal twine using custom made bobbins to cover the grounds lead me to rework the pattern I had and make up new stitches as we worked our way across the lawn.  What guided me through this was allowing the participants to find their own way of working with the materials and each other. This improvised method, based on set manoeuvres, proved the best way of making the ‘lace’ in the end.


It’s nice to think that with a different group, the outcome would have been very different, and without anyone, the piece could not have been realized at all.


Thursday 15 August 2013

taking on the squirrel super-highway...


A gardener once told me the best way to catch squirrels is to hose them down with water. Their tail gets so heavy they can hardly move. You then seize that moment to throw a blanket over them and grab your humane rodent trap or shotgun, depending on your persuasion, to remove the furry vandals from your garden. Problem solved!  That’s the theory anyway…

follow the red path...
... and the blue one to the left,

My current installation Panoramic Pathways at the Nottingham Castle Museum was damaged the other week due to squirrel activity. It seems one of the stitched pathways crosses over a squirrel super-highway and some sisal was gnawed.  These furry foes hate change apparently and evidence of this on their patch is likely to be challenged.  They stop minding after a year apparently, but that’s no good to me given the work is up for a couple of months only.

duck under...
... and swoop over,
then take a breather and enjoy the view.

As the hosepipe method is not an option on the castle grounds, I went up to Nottingham and repaired the piece with Helen Ansell, one of the volunteers who originally helped with the making of the installation. Together we worked out the most efficient way of doing the repairs, exchanging tips and drawing/ writing these down as instructions for further reference. We’re now ready to take the bushy tailed vandals on!

zig-zag your way along...

In the meanwhile, posted here are a few images taken by John Hartley during the making and filming of the piece.  I hope you’ve enjoyed the ride…

... and finish with a flourish!